Cantankerous Rooster

Marathon, Texas. It is early morning and light is creeping into the motel room. Last night we walked back to the motel under a huge black sky, so black the stars shone like the burnished feathers of a silver rooster, burras brayed, flights of angels winging us to our rest. I remember living in San Augustine near Oaxaca, being kept awake and woken and harassed all day and night by the sound of braying burros, turkeys, a rooster, dogs, people. Gracias a los burros my rooster does not have to crow. He stands on the dressing table in front of a mirror so there are two of him. Sculptural. Silent. He is double and a doubler; he has, for instance, doubled the amount of words allowed in this bit of writing. I open the door and step out into the dusty parking lot. The sky is now a soft donkey grey, fringed to the east with vermilion, redness seeps out of the earth, filtering into the sky.

I can stretch my arm in any direction and reach the edge of solidity and then my fingers will close around the sky.

I take the rooster outside and photograph him. He is immobile. His coxscomb is scarlet, his body painted in swathes of yellow, green and blue. His tail is feathery, the featheriness of sliced tin, a shiny indigo blue. He is perfectly proportioned. His toes are splayed giving him a firm purchase on the ground, or the dressing table, or wherever he alights. Always out of place, he will be my register of place as we travel through desert regions towards Marfa.

The rooster joined us before the desert. In Johnson City, home of LBJ we find somewhere to pee: A tiny coffee shop in a large yard filled with iron ware. Flying pigs and alligators and cows. All painted. On the counter a faded photo of a Starbucks van, the side door slid open so that “tarbuck” is eliminated. What you see then is the starbucks icon and the word “sucks.”

While he fixed me an excellent espresso John and I swapped a few minimally anecdotal details—he’d lived in San Francisco, he could tell I wasn’t from Texas. Probably not from San Francisco either. The old guy he’s swapping yarns with, toothless, dusty, feels like he’s roamed the local block for years, and probably drunk every bottle in town, but who knows? Who knows peoples’ stories unless you drive with them for days and days through the desert and can talk of this and that and failed relationships and swap another hilarious story of another disastrous episode in the life of love. I asked John who made the rooster and the other creatures, where they came from. He looked at me quizzically as if to say which leg can I pull, which story will she buy, or as if he were asking himself is this a trick question, what’s she after this foreigner, who on this wide earth wants to know about the provenance of painted tin chotchkes, who gives a flying fuck where the rooster comes from. Then he laughs and says Juan, Carlos, Roberto, Ricardo, Miguel…..an army of anonymous Mexicans. I realize then it was indeed a sneaky question, the sort of question that a snooty gardener asks, either to elevate her purchase, raise it out of the realm of tourist art and into the realm of artisanal individuality, or simply to trip up a pretentious vendor.

I could go back to Old Town in San Diego and buy this rooster, closer to the source of its production. Or just nip across the border and buy it by the side of the road. Probably I could even nip back to Zimbabwe and buy the same rooster. And yet not exactly the same.

There was a bigger rooster, grander. But as soon as my eyes alit upon this one I knew he was the one for me. He is life size, perfectly proportioned, he has stepped out from a child’s picture book, from meticulously illustrated Mexican playing cards. R for rooster. G for el gallo. Watch out, says the old guy, he’s a cantankerous rooster, that one.

Molly, who has turned up at the coffee shop with Allen and Lynsey says, we will photograph the rooster everywhere we stop on our journey towards Marfa. He will be our sign, our register of place. The problem is Molly drives off with her lovely camera and I only have a phone. Luckily, the rooster responds well to i-phone attention. Preens, holds still while I teeter and shake.

In Harper where we get gas he stands beneath a wall on which is painted a much larger than life US flag and under it a large star of David and the slogan: Stand By Israel. Over the doorway on the same wall it says Building for Sale. Somehow my focus is screwy and the rooster is cut out of the picture.

He does appear, albeit tinily at the bottom of the frame, under two bucking broncos, at Lowe’s a local market in Fort Stockton. We had a cup of tea at a restaurant here and the young Mexican American who served us wouldn’t take any payment, it’s just water he said. I bought a bar of fancy dark chocolate with sea salt, an anomolous foreign import, and Katie bought a local newspaper. We ate the chocolate at the Rock House by the Rio Grande, it was musty.

In Marathon we have breakfast at Nancy’s Coffee shop. Under the large sign is scrawled, faintly, barely legible, “Foiled Again.” He stands in the large expanse of the dirt parking lot in front of our rooms. The horizon is so low it just peeks over his head.

We drive down into Big Bend National Park. At last and eventually we arrive at Terrlingua ghost town. There is a row of seats along the verandah of the saloon which is also a gift shop and also the hotel, next door to the Starlight Theatre and Bar which only opens at 5.00 so we will not get there, but it looks enticing, stars are painted on the ceiling. On the verandah everyone has a bottle in hand, slow gossip fuels the atmosphere. New people in town, everyone is alert but pretends to notice nothing. Though they all noticed Nora. Someone has already picked up the keys to the Rock House, and when I ask who she says a boy and a girl with tattoos. Nora later tells us that on her way out a woman grabs her arm to comment on her tattoos and confides loudly that she has her ex boyfriend’s name tattoed on her butt.

At the Rock House the Rooster sits on a table, the Rio Grande behind him. And then I bring him in for the night to sit safely at the foot of my bed. There are rooster thieves abroad, and vigilance is required.

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Now we are here, in Marfa, the rooster and I. You would not exactly call him Juddesque, my rooster. Picturesque, yes definitely. Ex-situ incarnate.

I shall take him home this rooster, a Texan I guess, home to California where he will be charged to remember all the fantastical details of this journey which I shall forget slowly, memory by memory.

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